The concrete studio set up. I had to lower the ceiling/over head set up hight a little bit, to let the car look good - I love the design and the shape.
The warehouse, that forced me to built the biggest light box I ever used with 1200 fluorescent tubes, because under no circumstances, we wanted to see anything of the warehouse.
We covered the windows of the ground floor and lit the car with our big light box - wonderful.
The THE REAL THING. Andi wanted to have a vertical move around the actor. Within 7 days after landing in Shanghai, we built this rig and named it THE REAL THING.
We started with little sticks, like fischer technics and a go pro, I remember. The next step was the 3d Maya animation and then they showed us the massive metal thing - the THE REAL THING.
Some last corrections and we where ready to shoot the shot.
